But how the brain perceives it, is important in order to better understand 3D sound. For example, if a piano sound is played through just the left speaker then we will perceive the sound as coming from the left side. If the same sound and same level, or volume, of sound is also passed through the right speaker then it will create the effect of the piano sound coming from the center of the two speakers - in essence from a "phantom" speaker.
Further to this we must then understand two more '3D terminologies' - Sum and Difference By subtracting the Difference of the right signal from the Difference of the left signal we come out with the all-important 'spatial' information which characterizes stereo program material - and it is this which can be manipulated to produce 3D sound.
It is important to note that for the best 3D results you should not add any effect to the Sum signal because this would affect the tone of the sound and result in lost tonal quality, and poor audio quality. This is where other 3D technologies fail. Instead 3D Spatializer concentrates purely on the Difference signal.
These Difference signals are passed through a psychoacoustically correct filter which performs three critical functions. First it boosts the portion of the audio spectrum which we rely on most for spatial localization cues.
Secondly it adds just enough phase delay, and further delays different parts of the Difference signal so that the sense of "space" and size of the "sweet-spot" is dramatically increased.
Another area of improvement over its competitors is that 3D Spatializer monitors the incoming signals, and if it senses existing spatial information it will only process this to it's optimum performance level. This is because 3D technology is now often used in the recording and game industry, and as such there is a danger of "over-processing" which can result in poor spatial image and loss of tone.
No other 3D technology can offer the user a "set-and-forget" feature like this. Onboard "Binaura 3D" circuitry. ESF chip. The ES is a slightly upgraded version of the ES chip. It supports the higher 48 kHz sample playback as well as 3D spatial audio. Designed to be an embedded audio single-chip solution for Notebook computers. Here are some tools and drivers for ESS chips that are not necessarily model-specific: Windows 9x drivers v4. The onboard power amplifier provides 2W per channel. Want more?
Advanced embedding details, examples, and help! This is a modified zip file containing the official ESS Solo-1 driver, the original driver was taken from an archived version of their driver download page but unfortunately contained a broken installer. I have restored this installer to a functional state by putting the files in their correct locations and borrowing the setup's EXE files from a different ESS AudioDrive.
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